Intervention and Audience
Notes
A Social Model of Art Practice; Changes in the Social Climate; The Failure of Stylism; Lessons from Marginal Diversity; An Interventional Art; The Audience as the Rationale; Strategies and New Forms; Art as Social Process. This item is part of the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)
| Artist / Author | Stephen Willats |
|---|---|
| Publisher | Coracle |
| Reference | P1283 |
| Date | 1985 |
| Type | Publication |
Keywords
Similar items
Networked Bodies: The Culture and Ecosystem of Contemporary Performance
“This publication assembling the practices and discourses of ‘Asian contemporary performance’ is assuredly a statement of ‘the world we have made’ for the now and the future, as well as a means of connecting TPAC and other ‘worlds.’ “-Ruo-Yu LIU, Chairwoman of Taipei Performing Arts Center
“While it is now hardly unusual to find choreographers working in an exhibition setting, or visual artists performing on a stage, it is still rare to see practitioners from the different fields working together, as can be found at ADAM.”-John Tain, Head of Research at Asia Art Archive
“With various understandings from multiple disciplines, life journeys and international practices, this publication is neither a collected manifesto, nor an imprint of harmony and integration. On the contrary, it is the very embodiment of incarnations and trajectories of the world history and the network of contemporary corporeality.”-Chun-Yen WANG, Art Critic
köppl/začek 1997-2007
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
The Arts Britain still Ignores?
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Theatre Blogging: the emergence of critical culture
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Dalit Panther Archive: First and last issue
Zine of the project documenting and tracing the Ambedkarite movement in the 1970s.
You Are Here
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
The Architect-Walker 2018: A Mis-Guide
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
Socio-Economic Diversity and Inclusion in the Arts: A Toolkit for Employers
A toolkit with a mission to look to the future: to support long-term change across the arts sector by sharing knowledge, providing expert support, and encouraging take-up of an intersectional approach to equality, diversity and inclusion.
Part of The Library of Performing Rights (P3041).
The Twenty-First Century Performance Reader
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Filed Notes: The Inaugural Summer School on Cultural Diversity and Collaborative Practice
Publication on the Summer School delivered by Create (Dublin) and Counterpoints Arts (London).
How Aborigines Invented the Idea of Contemporary Art: Writings on Aboriginal Contemporary Art
The first anthology to chronicle the global critical reception of Aboriginal Art since the early 1980s, when the art world began to understand it as contemporary art.
Part of Library of Performing Rights (P3041)
Performing Citizenship: Bodies, Agencies, Limitations
Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.
Part of Library of Performing Rights (P3041)
