Includes full length documentation of the performance the moment I saw you I knew I could love you; the film Sea Swallow’d by Curious and Andrew K̦tting; interviews on ‘Autobiology’ workshops – in which Curious worked with 56 artists across the UK using ‘gut feelings’ to generate text, performance, video and installation work and a special bonus track on the creative process in making the performance and film.
This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works.
Videos by artists about the Live Art Development Agency. Including 10 commissioned films by artists marking LADA’s 10th anniversary in 2009.
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
An idyllic location, a perfect spot, but something just isn’t quite right, something doesn’t fit.
Part of LADA Screens 14. The film was available online 23 August – 6 Spetember 2016 on the LADA Screens Channel.
Charts the choppy waters of gut feelings, capturing the flotsam and jetsam of impulse, desire and fights to the death.
Part of LADA Screens 14.
A tribute to Katherine Araniello, read during the event at LADA, 16th April 2019.
Part of the Library of Performing Rights (P3041)
In misc folder 7.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
The preeminent posthumanist shows how the history of Western civilization can be read as a suppression and return of rage.
A collection of programmes, materials and articles on the Pip Simmons’ performance.
Article from The Edinburgh Companion to Animal Studies. names the raw, sensuous, delicate, multi-dimensional, secret intelligence shared by sentient beings at the moment of their extended encounter.
In misc. folder 7
Maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges.
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.