Featuring commissioned films by Franko B, Richard DeDomeminici, Alastair MacLennan, La Ribot, Marcia Farquhar, Tim Etchells, Yara El-Sherbini. See also D0954.
Based on the results of an anonymous survey sent to more than 8,000 galleries in the US, UK, and Germany, this is an insightful examination of the business of selling art.
Anthology of interdisciplinary essays which critically examines the interlocking themes of artistic authorship, authenticity, and legacy from legal, art market, and art historical perspective.
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
Explores the agency of the pseudonym over a sustained period of time through two case studies in particular: the Guerrilla Girls, an all-female collective working anonymously, and Marvin Gaye Chetwynd, the first British performance artist to be nominated for the Turner Prize.
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Catalogue for the performance festival at the 2009 Biennale – PRAXIS: Art in Times of Uncertainty.
In Greek and English.
What is seriousness exactly, and where does it reside? Is it a desirable value in contemporary culture? Or is it bound up with elite class and institutional cultures?
Challenging and re-positioning the traditional exhibition catalogue as an artwork and commission in its own right, the pub;ication takes its inspiration from the classic Pedro Almodóvar film on the occasion of the group exhibition, La Movida at HOME, Manchester (14 April – 17 July 2017).
Seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art’s most persistent debates, from definitions of political art, to the troubled status of “outsider” and street art, to the question of how we maintain faith in art itself in a dysfunctional world.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)
Programme for the project brining together seven artists exploring the concepts of diversity, transformation, hospitality and learning and how these concepts relate to humanity. Curated by Raphael Gygax.
The first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years.