Documentation from Satisfyin Lover and Showing Solo, two performances which opened the Thinking Bodies Conference.
Anthology of interdisciplinary essays which critically examines the interlocking themes of artistic authorship, authenticity, and legacy from legal, art market, and art historical perspective.
A performative publication enabling a rich array of theatrical and artistic scores that can be performed at a moment’s notice.
Part of the Library of Performing Rights (LPR) (P3041).
Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
British Library Sound Archive recording and documentation of the “Performance Matters” events, 30 April 2010. A Play For Offstage Voices is a score composed entirely of lines written to be spoken from off stage. Voices authored by well-known writers to call, shout, cry and exclaim from somewhere, above and within have been collected and choreographed into an ‘event score’ in which voices such as Beckett’s V, Lorca’s Voz and Stoppard’s voice (in the darkness) encounter each other in the marked off space they share. Also see ref. D1920; D1922-3 and D1316-D1319.