The curator who founded MoMA’s video program recounts the artists and events that defined the medium.
On the Edge 88 festival in September 1988.
In misc. folder 7.
Draws together revised writings alongside new journeyings from the A Year In The Country project, which has undertaken a set of year-long journeys through spectral fields; cyclical explorations of an otherly pastoralism, the outer reaches of folk culture and the spectres of hauntology. It is a wandering amongst subculture that draws from the undergrowth of the land.
Creativity should nourish us all, not just the privileged few.
Argues that the awkwardness of our age is a key to understanding human experience.
The first comprehensive collection of writings by American artist and critic Martha Rosler. Best known for her videos and photography, Rosler has also been an original and influential cultural critic and theorist for over twenty-five years.
In a series of letters composed to each other and delivered to camera, artist Tim Etchells and writer Adrian Heathfield examine what underlies their shared interest in the notion and forms of Variety.
73 minutes. 2006.
Broadcast in 2000, COMING SOON is a three part comedy/drama series for Channel 4 following the adventures of an avant garde theatre company from London that would do anything for funding.
Broadcast in 2000, COMING SOON is a three part comedy/drama series for Channel 4 following the adventures of an avant garde theatre company from London that would do anything for funding.
Collection of nterviews with Henry Rollins focusing on Henry's travels often to countries considered dangerous and off-limits.
Channel 4 documentary; part of an event at the ICA in collaboration with the arts collective DHSS.
Can also be found in the Access all Areas : Live Art and Disability book and accompanying DVD: P1864
Short introduction to Matt Fraser’s work.
Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live at all.
Part of the Library of Performing Rights (LPR) (P3041).
This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)