Performing Rights Collection – London – Looking for a Missing Employee

Editor: Michael Hall | Reference: P4231 | ISBN: 2631-5661 | Type: Publication

This special issue of Burlington Contemporary Journal is dedicated to drawing and has been realised in collaboration with Drawing Room. Surveying work made over the last sixty years, this issue examines the radical potential of drawing and its varied role in artistic practice. The issue includes artist commissions by Jade Montserrat and Emma McNally, and a profile of Massinissa Selmani by Roger Malbert.

Artist/Author: Hyunjin Kim | Editor: Ute Meta Bauer, Nav Haq, Mark Lewis, Adeena Mey, Charles Esche, Mark Lewis | Reference: A0935 | ISBN: 978-184638-217-8 | Type: Article

Afterall Journal

Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.

pg.49-57

Hyunjin Kim contextualises siren eun young jung’s audio-visual work at the 2019 Venice Biennale in relation to queer performance in South Korean history.

Artist/Author: Marcus Verhagen | Editor: Mark Rappolt, David Terrien, Skye Sherwin, J.J. Charlesworth, Laura Allsop | Reference: A0933 | Type: Article

Art Review Issue 26  / October 2008

pg. 74-81

Feature on Elmgreen & Dragset : Inconvenient Truths

Artist/Author: Woon Tien Wei | Editor: Claire MacDonald | Reference: A0928 | ISBN: 978-0-415-26311 | Type: Article

Performance Research Vol 6. No. 1. Spring 2001

Departures

The first of three related issues which engage with the migrations of people, performance and performance cultures, generating writing around differing geographies and histories of travel and travelling performance in a diversity of written and visual forms.

Between Journeys : an Interview with Lee Wen

Woon Tien Wei

pp. 3 – 7

Artist/Author: Stephen Ellcock, Francesca Gavin, Delaine Le Bas | Reference: P4226 | ISBN: 978-3-7533-0471-7 | Type: Publication

A publication with an essay by Stephen Ellcock in which he exemplifies the spiritual and mythological references in Delaine Le Bas’s work and in particular in the installation conceived for the Secession with references from Greek mythology and ancient Egyptian death cults.

Languages: German, English

Artist/Author: Catherine Jiang | Editor: Supervisor/Vivenne Gaskin, Tutor/Alix Slater | Reference: P4224 | Type: Publication

Can Taiwan performing/performance art be an avant-garde strategy for cultural exchanging with Shanghai e-Art Festival?

-Referring to the changing face of British Live Art.

Research study by Catherine Jiang.

Artist/Author: Bobby Baker | Editor: Michèle Barrett | Reference: P4222 | ISBN: 978-0415444118 | Type: Publication

This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ‘How to Live’ and ‘Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

Artist/Author: Tomaž Simatović | Reference: A0920 | Type: Article

This article presents the research and performance practice behind ‘The Performing Solidarity Project’.

Artist/Author: Jet Moon | Editor: SonIa Elks | Reference: P4220 | Type: Publication

Interviews with people at the intersection of disability, queerness, kink, sex work and survivorship.

Artist/Author: Beth Watton | Editor: Richard Gough, Nanako Nakajima | Reference: A0915 | Type: Article

On Ageing (&Beyond)

Performance Research Volume 24 Issue No 3 April/May 2019

pg 40-48

Artist/Author: Ulrike Garde | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0914 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p61-80

Artist/Author: Katia Arfara | Editor: David Calder, Broderick Chow, Maria M. Delgado, Maggie B. Gale, Bryce Lease, Cariad Svich, Sarah Thomasson | Reference: A0913 | Type: Article

Contemporary Theatre Review Volume 32 Issue Number 1 February 2022

p46-60