No Innocent Bystanders Performance Art and Audience

Video documentation of a one-off event hosted at LADA. Artist Tim Etchells invited performer Rosana Cade and musician Angharad Davies to join him in an encounter working with text loop fragments and violin improvisation. Drawing on Etchells’ practice in which language distorts and transforms through repetition and in dialogue with sound elements, More details are slowly falling in was a collaborative experiment in which three unique artists bring their considerable individual experience and perspectives to play, inventing and exploring sonic material together.

The starting point for the performance was a set of text fragments taken from Etchells’ notebook – overheard comments, puzzling images and questions – which take their place in layers of voice and violin in compositions where texture, energy and musicality are as important as semantics.

The event was hosted at The Garrett Centre on Saturday 21 February, 2026

Audio recording of the UK launch of performance art duo Kainulainen & Latva’s book Globus Hystericus, published in 2025 by Finnish publishing house Taide.

Finnish performance art duo Kainulainen & Latva have been making extraordinary performances in both their native Finland and internationally since 2014. Informed by narratives of personal trauma, twinned with accounts of Finnish folklore, they have produced a prolific and unique body of work from their profoundly intimate and collaborative dynamic.

Performance artists Katri Kainulainen and Maximilian Latva gave a presentation with video clips and slides of their practice, followed by a Q&A session with special guests Dominic Johnson and Martin O’Brien. Key themes explored in the neurodivergent duo’s work include trauma, power relations and gender issues.

The event was hosted at LADA on Wednesday 22 July, 2026.

Regret
A 28 day durational performance
6 hours per day, June 2-29, 2021
Performed at Floating Goose Studios, Adelaide, Australia

(dis)closure (2025) is a performance by kane stonestreet at CEREMONY, a festival from Future Ritual. The documentation was screened at LADA as part of Fringe! Queer Film & Arts Fest exhibition The Body Is a Thing in Time, curated by kane stonestreet.

Video documentation of an interactive talk from artists Danielle Brathwaite-Shirley and Symoné. It explored agency and spectatorship in the intersections between live art and gaming.

Writer and academic Dominic Johnson hosts a rare UK appearance by the US (French based) artist Skip Arnold. They screened a selection of Skip’s videos and other documents, and discussed the body, duration, intervention, commitment, and documentation.

This book traces the early history of performance art in the former Czechoslovakia, which developed in the 1960s and 1970s amid the Prague Spring and the subsequent Normalization period marked by censorship, prosecution, and state pressure on artists.

A live art work and archive book exploring fetish, female eroticism, and symbolic violence through a spatial intervention at a KTV in Chinatown.

From the artist: This is a neurodivergently true story about neurotransgressive performance (which I call proper performance). It contains some magic green liquid and a bit of an accidental erection.

A short text and image piece by artist Kira O'Reilly, accompanied by a photo of O'Reilly's "Menopause Gym."

Making performance works for four decades, British experimental theatre collective Forced Entertainment has become globally renowned for its singular aesthetic and audacious events, melding narrative fragments with strange acts, broken poetry, audience provocations, and comcial failure. With its low-fi theatre, intimate text-based works, and epic durational spectacles, the group has profoundly influenced the international performance scene, evoking and testing the politics of contemporary life.

Research Highlights: Documenting and understanding experiences of backlash currently being received against LGBTQIA+ cultural programming and/or creatives in the UK’s cultural sector from 2020-2025.