Catalogue > By Keyword > performance
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People Show: Nobody Knows But Everybody Remembers
Written by The People Show’s longest standing and original member, the publication chronicles a very other, non-mainstream way of making art, of living and breathing this art and all that it stands for, during the course of 50 years.
Ragnar Kjartansson
Published as part of the eponymous exhibition at the Barbican 14 July – 4 September. Surveys the Icelandic artist's practice from his student work to today.
This item can be found in the locked glass cabinet.
Emergency INDEX Vol 5
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication
Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.
Programme for a Proletarian Children’s Theatre
In miscellaneous folder 6.
Part of the Study Room Guide on Live Art and Kids (P3091).
Going for the burn
Review of the Foreign Affairs festival, Berlin.
What’s Changed?
A publication detailing the projects delivered through Unlimited; includes a collection of 16 postcards.
Blast Theory turns 25
Newspaper published to celebrate the company’s 25th anniversary.
Guerilla Aspies: a neurotypical society infiltration manual
A guide for those on the autistic spectrum on how to 'blend' in – look, sound and act 'normal'.
Here is Information. Mobilise.
Key critical writings by artist and curator Ian White (1971-2013), ranging from reviews and catalogue essays to entries from his blog Lives of Performers.
art is (speaking portraits)
The volume is drawn from the ongoing video work art is/poetry is/music is (Speaking Portraits), which features over 1000 artists–painters, poets, musicians, dancers, actors, video-/filmmakers–in eleven countries saying what art is. art is offers an intimate view of seventy of those engaged in art as performance.
The Live Art Almanac Volume 4
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy.
