On Project O’s performances at the Forest Fringe Microfestival, Progress Festival, Theatre Centre, Toronto, Canada, February 2016
This article narrates and analyses three instances of swimming in the Beirut sea as political performances.
Looking back on the experience of directing the world premiere of Svich's play at the University of Missouri.
Publication on four walks commissioned by SPACE, which provided the chance to discuss the many and varied viewpoints related to the commons, including resource, community and the process of commoning. This edition includes an essay written by Maru Rojas in response to the project and the commons.
Large format programme for Hotel Obscura (Vienna performances). In German.
Publication on the TWRG which explored structure in and around participation – be it a group, time or space. Three parallel walks, all based on the same texts, took place in three cities: Bilbao, London and Bolzano.
In English, Spanish, Italian and German.
The essay interrogates Hadas Ophrat's piece Insomnia.
On the process and politics of live critical responses to a live stream of Forced Entertainment’s And on a Thousandth Night.
Publication documenting the work of the WRG in 2013 and 2014.
Reversing the common understanding of annotation as a posterior act of adding information to already existing sources, this article argues that annotation also serves as a pre-performance procedure facilitating artistic creation.