Immediately after Nadezda Tolokonnikova and Maria Alekhina were released, Verwelius contacted the two, setting into motion an extraordinary photo shoot: using the activists’ stories and sketches of the prison camp, he depicted their living and working conditions there as an impressive picture series. In English and Dutch.
Throughout the 1980s and early 90s, Gordon produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts place her writing within the context of the artist-critics of her generation.
Feminism and Humour in Contemporary Art exhibition catalogue. Margaret Lawrence Gallery – Victorian College of the Arts (VCA), Melbourne. 27 April to 25 May 2013
Publication exploring the possibilities of collaboration and conversation between visual art and writing. Featuring written works by fifteen emerging writers, responding to exhibitions presented between June 2011 and January 2012.
Performance text; performers have to learn all the parts while trying to be each other rather than presuming to enact characters.
Recording a series of events held in London and Edinburgh in July and August 2016 celebrating the work of women using walking in their practice.
Documents the artist’s two-year (2015-2017) experimental site-specific art project. The project involved Chen’s visits to 168 locations set out as squares on a Google map of Greater London, and used the city as a stage and open space for the execution of Chen’s experiments.
A book of portraits, made as Frost wandered the streets of London in search of its most colourful inhabitants.
Examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
Explains the concept of the trans-spectator using the Slovenian theatre group performance (Would Would Not, 2005) as an example.