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British Black Art: Debates on the Western Art History
The book suggests new narratives about canonical artworks of the British Black Art movement, such as Lubaina Himid’s Freedom and Change, Eddie Chambers’ Destruction of the National Front and Sonia Boyce’s Lay Back Keep Quiet and Think of What Made Britain So Great, interrogating their critical agency from an art-historical perspective.
Interactive Contemporary Art: Participation in Practice
This collection of essays sheds new light on the political, ethical and aesthetic potential of participatory artworks and tests the very latest theoretical approaches to this subject.
“Piss-Takes”, Tongue-in Cheek Humour and Contemporary Feminist Performance Art
The article explores the way in which humour is being used by contemporary women performance artists to state the obvious.
States of Precarity
Exploring feminist artistic reponses to the specificity of women’s suffering in war, through the work of Sandra Johnston, nichola feldman-kiss and Rehab Nazzal.
The Incorrigibles: Perspectives on Disability Visual Arts in the 20th and 21st Centuries
At the 2015 DASH symposium ‘Awkward Bastards’, artist and CEO of Shape Arts, Tony Heaton posed the question “Is the Disability Arts movement a forgotten movement? In response to this, DASH created a new book that aims to show that Disability arts is alive, well and demands recognition and a place within art history.
Rise with your class not from it
A lasting trace of and a vehicle for the Working Press, a collective publishing imprint which had the subtitle books by and about Working Class Artists, 1986-1996. The publication highlights some important works by working-class artists while providing a valuable resource for anybody interested in working with archive material.
Cassils
Artist book on the performance artist and body builder who uses their own body in a sculptural fashion, thereby interrogating feminism, body art, and gay male aesthetics.
The Story of M
Commissioned by the Institute for Contemporary Arts in 1995, The Story of M is a moving tribute to the life and death of the artist’s white mother mother who raised her mixed-race children in the face of frequent racism 1960s but never let them forget they were of African descent and to be proud of their heritages.
Performing Motherhood: Artistic, Activist, and Everyday Enactments
Highlighting mothers’ lived experiences, this collection examines mothers’ creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Third Area: A Feminist Reading of Performance at London’s ICA in the 1970s
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
