Autobiography of an artist who, as a founding member of the avant-garde group Throbbing Gristle and electronic pioneers Chris & Cosey, has consistently challenged the boundaries of music over the past four decades.
A moving tribute to the life and death of the artist’s white mother mother who raised her mixed-race children in the face of frequent racism 1960s but never let them forget they were of African descent and to be proud of their heritages. Includes selected poems by the same author.
See also D2230.
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
Drawing on a range of archives, this paper focusses on two performance works, One for Sorrow Two for Joy (1976) and Mind the Gap (1980).
Found in miscellaneous article folder #6
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Catalogue for the 2014 Flat Time House exhibition, which comprised of elements of the many modes of Reedy’s production across decades, including video and audio works unseen and unheard since the 1970s and 80s.
From ICA Live Weekends: Futures and Pasts.