Catalogue > By Keyword > Institute of Contemporary Arts

3 results | Page 1 of 1

Third Area: A Feminist Reading of Performance at London’s ICA in the 1970s
Artist/Author: Eleanor Roberts | Reference: P2991 | Type: Publication

A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.

1970s 1980 women's season About Time Alexis Hunter Allen Jones Annie Sprinkle Bobby Baker Carlyle Reedy Carolee Schneemann Catherine Elwes Catherine Ugwu Charlotte Moorman Cosey Fanni Tutti COUM Transmissions David Medalla expanded cinema explicit body feminism feminist art feminist artists feminist historiography feminist methodology feminist theory Fluxus gender Genesis P-Orridge Hackney Flashers Hannah O’Shea happenings history history of art Hornsey identity Institute of Contemporary Arts Jo Spence John Dugger Joseph Beuys Lois Keidan London mail art Mary Kelly Monica Ross multimedia Nam June Paik Naseem Khan participatory art performance art performance studies Prostitution Rasheed Araeen Reflec Restock Rethink Roberta Graham Rose Finn-Kelcey Rose Garrard sex work Sho Kazakura Silvia Ziranek Sonia Knox Takehisa Kosugi Tina Keane UK visual studies women

Restless Images: The Feminist Performances of Rose Finn-Kelcey
Artist/Author: Ellie Roberts | Reference: A0668 | Type: Article

Drawing on a range of archives, this paper focusses on two performance works, One for Sorrow Two for Joy (1976) and Mind the Gap (1980).

Found in miscellaneous article folder #6

This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

archive documentation feminism feminist criticism feminist historiography gender ICA Institute of Contemporary Arts women Women Artists Collective

Carlyle Reedy: Icons of a Process
Editor: Karen Di Franco and Guy Brett | Reference: P2849 | ISBN: 978-1-9006203-78-8 | Type: Publication

Catalogue for the 2014 Flat Time House exhibition, which comprised of elements of the many modes of Reedy’s production across decades, including video and audio works unseen and unheard since the 1970s and 80s.

collage documentation ICA installation Institute of Contemporary Arts John Latham language performance poetry video art We’ll Make Up A Title When We Meet writing