Documentation from the Live Art event by disabled artists in the birthplace of the modern Olympic Games, May 2012
Part of the Library of Performing Rights (P3041).
Documentation from the Live Art event by disabled artists in the birthplace of the modern Olympic Games, May 2012
Part of the Library of Performing Rights (P3041).
Raw material from a the Live Art event in Much Wenlock, Shropshire in May 2012.
Part of the Library of Performing Rights (LPR) (P3041).
At the 2015 DASH symposium ‘Awkward Bastards’, artist and CEO of Shape Arts, Tony Heaton posed the question “Is the Disability Arts movement a forgotten movement? In response to this, DASH created a new book that aims to show that Disability arts is alive, well and demands recognition and a place within art history.
Complete with case studies, exercises and questions for further study, the book introduces students to the work of disabled artists and their allies, and explores artful responses to living with physical, cognitive, emotional or sensory difference.
This publication serves as a brief summary of the five commissions which comprise the IN project 2012 – 2015.
PDF publication collating three commissioned essays written by performance artist Marcia Farquhar, Ella Finer and Lois Keidan, Director of the Live Art Development Agency with additional text by Katherine Araniello. The essays have been written especially for The Dinner Party performance.
Special issue of the Australian magazine (December 2013/January 2014) dedicated to art and disability programs, projects, artists and companies
Journal Article reflecting on a site-specific collaborative performance work at the Chisenhale Dance Space, London, UK. In Miscellaneous Article 4 folder.
Programme of events. M21was commissioned by the Unlimited programme, part of the London 2012 Cultural Olympiad to create an artistic programme that features collaborations and partnerships between disability arts organisations, disabled and deaf artists, producers and mainstream organisations. Small programme in folder.