A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
P-form both provides a historical record of the performance art movement during the 1980s and ‘90s, and captures the essence of creative expression that is free of – and often challenging – the strictures of the established art industry. P-form was conceived by Brendan deVallance and eventually published by Randolph Street Gallery, a non-profit, artist-run gallery and performance space committed to providing a forum for people to engage in contemporary and challenging cultural topics.
A collection of press material dating mainly between 1995 and 1996.
A report on two new initiatives aimed at supporting Live Artists in the UK and raising the profile of their work.
Essays, artworks on cultural diversity and performance, UK and USA. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)