Features 32 selected videos in various different formats made from 1999 – 2017.
Part of Library of Performing Rights (P3041).
Exhibition catalogue; Summerhall, 2/8 – 24/9 2017.
Booklet; includes archive images and biography.
Festival programme, 30/4 – 5/5 2012.
Calendar including photos from Belfast Beyond Performance events and scheduled Performance Monthlies.
Programme for a 12-hour live art and video event at Kilmainham Gaol, responding to the iconic historical associations with the 1916 Rising. Curated by Niamh Murphy and Áine Phillips.
Examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
Exploring feminist artistic reponses to the specificity of women’s suffering in war, through the work of Sandra Johnston, nichola feldman-kiss and Rehab Nazzal.
Calendar including photos from Belfast Beyond Performance events and scheduled Performance Monthlies.
Calendar including photos from Belfast Beyond Performance events and scheduled Performance Monthlies.
Phillips dicusses the making of Performance Art in Ireland: A History.
pani documents and contextualises activities of Bbeyond performance art organisation from 2001 to 2008, also covering two exchanges with Québec and Helsinki.
Recording of performance in a public library.
Short performance for camera documenting the duo of sibling’s art of the lived experiment.
See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.
CIRCA (Contemporary Visual Culture in Ireland) See also, Brutal Silences Study Room Guide, catalogue ref. no. P1661.
A year long collaboration between the artists supported by British Council’s Creative Collaboration programme and Arts Council England, March 09 – March 10.
Performance produced as part of Relations project featuring Asian and Irish artists.
On how performance relates to the global contemporary situation.
This exhibition catalogue explores the material & hidden narratives that inform Stitt’s public demonstrations as an internationally acclaimed performance artist. Including introductions by Nicola Hood and Heike Roms with interviews & texts by Stewart Home, Simon Herbert, Roddy Hunter, Lukasz Guzak & Phil Babot plus an exclusive interview investigating formative work made in Belfast during the late nineteen seventies.