A selection of of non-fictional works delving into the philosophical exploration of ordinary spaces. This item is part of the Study Room Guide to Remoteness (P2600).
Performance Research Volume 25 Issue No. 8 December 2020
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
An occasional publication that aims to collate and investigate ideas around place, or more specifically: “indeterminate geographies”. In the second issue, the topic is ‘suburb’.
Consisting of twelve chapters written by leading scholars in the field, and a long interview with Schlingensief himself, the book will provide the reader with the first comprehensive study of the intriguing body of work that Schlingensief has developed over the last thirty years.
Part of Library of Performing Rights (P3041).
Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.
Discusses how citizenship is performed today, through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory.
Part of Library of Performing Rights (P3041)
An important addition to the current body of scholarly material on contemporary performance and theatre; it provides both a detailed focus on a number of important performance works as well as developing a framework for the interpretation of contemporary performance.
Part of the Library of Performing Rights (P3041).
Exhibition catalogue; Summerhall, 2/8 – 24/9 2017.
In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.
A revision of Lone Twin’s On Everest.
A journey through the void, ephemeral and digital towards play and poetry.