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| Artist / Author | Pomo Afro Homos |
|---|---|
| Reference | A0214 |
| Date | 1993 |
| Journal | Theatre Forum |
| Journal date | Spring 1993 |
| Journal page | 67-73 |
| Type | Article |
The second volume of the landmark trilogy consent not to be a single being.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.
In English and Finnish.
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought the author argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.
Part of the Library of Performing Rights (P3041).
Documentary bout queer live art on tour across the UK .
Documents the lives of 23 white women in interracial relationships with African and Afro-Caribbean men from the 1940s to 2000. Each women’s story is told in their own voice or by their children.
On the work of Jefferson Pinder.
Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.
Part of the Library of Performing Rights (P3041).
A critical paper: towards an understanding of ethno-graphy.
In misc folder 7.
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)