Postmodern wreckage in Kate McIntosh’s Worktable and Peter McMaster’s Gold Pie

Notes

Looks at two pieces which  use the ‘scene’ of wreckage to pursue coherence.

Artist / Author Zelda Hannay
Publisher Taylor & Francis
Reference A0886
Date 2019
Journal Performance Research
Journal date Volume 24, Issue 5
Journal page 105-113
Journal name 2019
Type Article

Keywords

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