On group practice, space making in rehearsal, working with directors/actors.
Documents the lives of 23 white women in interracial relationships with African and Afro-Caribbean men from the 1940s to 2000. Each women’s story is told in their own voice or by their children.
A research into the genealogy of political practice among different feminist movements from the 1970s to the present in Europe and Australia, resulting in a six-element film installation and accompanying exhibition catalog/reader.
A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books.
Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggles for human rights.
Across a series of twelve in-depth interviews with a diverse range of major artists, Dominic Johnson presents a new oral history of performance art.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
This article speculates about the new kinds of historical information that performance scholars may be able to preserve as a result of recent innovations in web archiving.
Article documenting an installation work on display at the 2013 Spielart Festival in Munich Germany. Tania El Khoury and Petra Serhal, of Dictaphone Group, developed the project during a Cityworks residency.
Video documentation of an interactive sound installation containing the oral histories of 10 ordinary people who have been buried in Syrian gardens.
Booklet of site specific live performance that explores the concepts of access to the sea and public space in the city through Beirut’s seafront.
A documentary album about the making of the second installation of the Geography Trilogy, Tree, commissioned by Yale Repertory Theatre in 2000 – an elaborate travelogue, documenting dance research selected events and collaborative creative processes.
Six short documentary films investigating the ways in which inhabitants of 5 towns across Europe deal with a recent local criminal case. English, some texts in German.
An Oral History of Performance Art in Wales 1968-2008
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Cookie Mueller (1949-1989) was a firecracker, a cult figure, a wild child, a writer, a go-go dancer, a mother and a queer icon. A child of suburban 1950s Maryland, she made her name first as an actress in the films of John Waters, and then as an art critic and columnist, a writer of hilarious stories and a maven of New York’s downtown art world. Edgewise, by Berlin-based actress and writer Chloé Griffin, tells the story of Cookie’s life through an oral history composed of more than 80 interviews with the people who knew her.