BBC Music John Peel Lecture

Notes

Brian Eno examines the ecology of culture and seeks to demonstrate how the whole complex of individuals and institutions engaged in culture – artists, broadcasters, gallerists, promoters, DJs, managers, lawyers, fans – are symbiotically connected parts of a single huge organism which we call Culture. Miscellaneous folder #5A.

Artist / Author Brian Eno
Reference A0639
Date 2015
Type Article

Keywords

Similar items

sin∞fin Trilogy

Artist/Author: VestAndPage | Digital Reference: EF5368 | Type: Digital File

A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.

The Animation of Contemporary Subjectivity in Tino Sehgal’s Ann Lee

Artist/Author: Katerina Paramana | Reference: A0887 | Digital Reference: A0887 | Type: Article

Explores Ann Lee as the subject par excellence of contemporary neoliberal capitalism.

Trap Door: Trans Cultural Production and the Politics of Visibility

Editor: Reina Gossett, Eric A. Stanley, Johanna Burton | Reference: P4076 | ISBN: 9-780262-036603 | Type: Publication

Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.

Part of the Library of Performing Rights (P3041).

The Star of the Show: Trademark, theatricality and ‘the grandmother of performance art’

Artist/Author: Bryony White | Reference: A0881 | Type: Article

Explores how Marina Abramović has subtly incorporated the law to her economic and professional advantage.

Audition Project

Artist/Author: Miss High Leg Kick, Richard DeDomenici | Digital Reference: EF5335 | Type: Digital File

Brought together 75 UK based artists onto the Birmingham Hippodrome stage in a snapshot of the performing arts in 2016. Over the course of a single day they learnt and re­created the opening audition scene from the 1985 film 'A Chorus Line'. 

Part of LADA Screens 12. The film was available online  9 ­- 22 June 2016 on the LADA Screens Channel. Includes two version of the video, in two different resolutions.

Arts of the Working Class: the Americas Issue

Editor: Elizabeth Otto, The Winter Office | Reference: P4038 | Type: Publication

The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.

Part of the Library of Performing Rights (P3041)

The Twenty-First Century Performance Reader

Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Black Performance Theory

Editor: Thomas F. DeFrantz and Anita Gonzalez | Reference: P4026 | ISBN: 978-0-8223-5616-5 | Type: Publication

Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.

Part of the Library of Performing Rights (P3041)
 

Dream Babes 2.0

Editor: Victoria Sin | Reference: P4043 | ISBN: 9781999642839 | Type: Publication

Zine focusing on the questions that speculative fiction can ask which are especially important now.