An overview of Poro: Brazilian company engaged in poetic, ironic and political actions. In Portuguese and English.
What is the quality of participation in contemporary art and performance? Fair Play: Art, Performance and Neoliberalism explores this question through the work of important contemporary artists and organizations including Marcus Coates, Phil Collins, Jeremy Deller, Michael Landy, Grayson Perry, Rachel Whiteread, Lone Twin, Punchdrunk, Tate Modern and the National Theatre.
The publication explores art created in public spaces in Brazil, since 2000. In Portuguese and English. Published under the Creative Commons licence.
A collection of documents, presentations, propaganda pamphlets and vidioes realised by The Institute for the Art and Practice of Dissent at Home, including “Miss Julie in Utopia Propaganda Pamphlet 2106200821” (2008), “The Hazardous Family Performance Text” (2008), “Macbethmachine Pamphlet 211220101330” (2010), “Family in Transit” (2013), and a DVD video of “A Promising Family Picnic” (2009).
SHIFTwork is the collective name for a series of commissioned performances which focused on the physical act and process of painting as a form of performance art. This catalogue documents the first collaboration, ‘Cathedral of Joy’, occurred with New York artist Fritz Welsh on a series of paintings in full view of the public whereby the gallery became a public studio revealing in real time and on continuous webcam transmission what is ordinarily the private practice of painting.
FrenchMottershead discuss thir strategy of ‘microperformance’.
This publication explores many Western world’s construction of the body as a theoretical, philosophical and political concept.
Documenting Alain Arias-Misson’s ‘public poem’ projects over the last 45 years. With an essay by Roger D’Hondt
Includes: Weaveair (2000); Creatures (1998); Octopus at the Shoreditch Gallery – London (1995 – 2000); M Groisman Dance Co (1997); Transference (1999)