Published on the occasion of Beautiful Creatures at Oboro, March 9 – April 13, 2013.
Part of the Library of Performing Rights (LPR) (P3041).
Written by Simon Casson, producer of Duckie, this is a polemic letter responding to the consultation towards the McMaster Review for James Purnell and the Department of Culture Media and Sport, condemnning the state of art-funding.
Documentation of workshop presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Publication documenting two majour events: Marina Abramovic Presents… (Manchester, 2009) and The Pigs of Today are the Hams of Tomorrow (Plymouth, 2010), exploring ways to encapsulate the art form after the performance is physically completed and exploring methods for preserving live art. Featuring artists: Davide Balliano; Snezana Golubovic; Tellervo and Oliver Kalleinen; Eva and Franco Mattes; Performance Re-enactment Society; Paul Clarke; Clare Thornton; Tom Marshman and Francesca Steel
What does theatre do for – and to – those who witness, watch, and participate in it?