Publication on the week-long, 24/7 durational performance art event which took place in a three-bedroom house, showcasing 10 international artists living and working together and live-streamed on Youtube.
When the performer leaves the scene and makes room for the audience.
A visual crossword puzzle, a treasure hunt where the riches are road names, a story emerging from the page: and the chance to win up to £10,000!
A chronology of actions she performed between 2008 and 2015. The book was made in a limited edition, to be given, received, traded, lost, found, purposely lost lost, donated lent, passed on – and never sold.
Culture and democracy are two sides of the same coin; we need to create structures that reflect this.
In misc. journals.
The result of five years of practice-based creative research focused on the UPRISING project, the book presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide.
Part of the Library of Performing Rights (LPR) (P3041).
Compiles the correct answers of six UK naturalisation exams.
Part of the Library of Performing Rights (LPR) (P3041).
A response to KAPUTT: The Academy of Destruction at Tate Modern, October 2017.
Develops and encourages you to inhabit — through narratives or spatialized experiences — Deep Maps of places you want to understand in a robust, inclusive, and expansive ways, which is not possible with traditional mapping.
Draws upon cognitive and affect theory to examine applications of contemporary performance practices in educational, social and community contexts. The writing is situated in the spaces between making and performance, exploring the processes of creating work defined variously as collaborative, participatory and socially engaged.