Publication on the public performance in response to Michelangelo Pistoletto's scultpure / installation.
Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action.
Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.
In Serbian and English.
The essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott.
Textbook from the performance / social experiment. The audience (a.k.a participants) underwent several stages of assessments to decide who remained in the experiment, and who was liberated from it. By the end, only one participant was crowned “LGB”. Presented during the Singapore International Festival of Arts 2016.
Case studies, workshops and surveys analyse the barriers and opportunities arts organisations face in playing a civic role.
10 practitioners from different backgrounds reflect on the broad themes of participation, audience, criticality and writing in a series of short essays and provocations inspired by their own practice and numerous works in Compass Festival 2014.
Publication on solo, collective and multi-lingual recitations from memory of the Universal Declaration of Human Rights.
Part of the Library of Performing Rights (LPR) (P3041).
Twenty two 3 minute shorts directed by international filmmakers to mark the 60th Anniversary of the Universal Declaration of Human Rights.
Part of the Library of Performing Rights (LPR) (P3041).
Around 500 participants – usual radio listeners, no dancers or actors – were invited to enter the Leipzig train station, equipped with cheap, portable radios and earphones. By means of these devices they could listen to a radio program consisting of a choreography suggesting permitted and forbidden gestures (to beg, to sit or lie down on the floor etc.).