Robert Lepage Inc – Theatre for Festival Audiences

From the artist: This is a neurodivergently true story about neurotransgressive performance (which I call proper performance). It contains some magic green liquid and a bit of an accidental erection.

"TransMission: Sissy TV" is an exploration of the idea of trans archives. And auto-archive of the artist's body, work, costumes, props, hopes, dreams and memories accumulated over nearly three decades of creating queer work.

A short text and image piece by artist Kira O'Reilly, accompanied by a photo of O'Reilly's "Menopause Gym."

In a cyclical feat of endurance and precision, Blood Show is a raw, euphoric choreography between 3 figures and 75 litres of fake blood. A call to action to put what’s inside on the outside and defend against a violent gaze, Blood Show questions rebirth and how we all carry our ghosts with us.

Sonia Boyce (b.1962) is a groundbreaking artist whose practice is founded on taking creative risks. Unafraid to play against set expectations about how art should behave, her collaborative interactions between audience and performer enable spontaneous and intimate social encounters, resulting in the creation of work that is simultaneously self-aware, visceral and open-ended.

This book is a much-anticipated introduction to the life and work of this extraordinary artist. Touching on her engagement with the work of other feminist artists and her time as a leading figure in the 1980s Black British Art movement, it contextualizes Boyce’s journey from her early pastel drawings and collages to her pivotal shift to film, sound, and performance art. Highlighting her artistic innovation as she experiments with medium to explore and question culture, identity and the boundaries between the public and private spheres in unexpected ways, it celebrates the visionary practice of a truly uncompromising artist.

What is performance? 31 performative programs to confuse the question.

Both in English and Spanish.

Por que falamos em arte nordestina ou arte nortista, mas raramente ouvimos a expressão arte sudestina para nos referirmos às produções do Rio de Janeiro ou de São Paulo, por exemplo? Essa pergunta, aparentemente simples, revela muito sobre o modo como o Sudeste foi historicamente alçado, e se impôs à condição de centro normativo da cultura brasileira. A produção artística dessa região costuma ser tomada como “a arte brasileira”, dispensando adjetivos regionais, enquanto as produções do Norte e do Nordeste foram historicamente enquadradas nas margens, exceções ou exotismos dentro desse panorama…

“Iniciando em 29 de novembro de 2022 e indo até 08 de dezembro do mesmo ano, o Festival que teve curadoria geral de Eduardo Bruno e curadoria adjunta de Aires Furtado, Marie Auip e Walídrio Castro, contou com uma programaçao realizado após uma ressaca de alegria e desgaste em decorrência do período eleitoral que acabava de se encerrar no Brasil. Esse livro, é parte desse processo, não é um resumo, muito menos outras partes que compuseram o Festival em sua 4ª edição e ainda continuam se desdobrando. Esperamos que esse livro conecte ao seu desejo de esperançar e construir outros modos de aglomereção e comunidades. Que o corpo se movimente e que o desejo ganhe novas vazões, bom proveito.”

This publication is in Portuguese (Brasil).

A 5ª edição do Festival Imaginários Urbanos foi uma realizaçao da Plataforma Imaginários com apoio institucional do Instituto Juvenude Inovaçao, Rede Juv, Instituto Mirante de Cultura e Arte, Pinacoteca do Ceará, Estação das Artes, Instituto Dragão do Mar, Theatro José de Alencar, CineTeatro São Luiz, Hub Cultural Porto Dragão, Centro Cultural Dragão do Mar, além do parceria com Espaço Chão, Bela Maré e Observatório de Favelas.

This publication is in Portuguese (Brasil).

O Festival Imaginários Urbanos é uma realizaçao da Plataforma Imaginários, com apoio da Secretaria da Cultura do Estado do Ceará e do Ministério da Cultura, utilizando recursos da Lei Paulo Gustavo (Lei Complementar n. 195/2022).

This publication is in Portuguese (Brasil).

I Love You Too is a project from a visual artist focused on the writing of letters, shifting the focus from how a community uses a library to how it creates one – a library, in this case, of love. The stories in this book were told during the COVID-19 pandemic by more than 100 people from across Manchester. Through in-person and online interviews with 11 writers, their testimonies were transformed into this collection of love letters. To ensure all those involved felt safe and supported while sharing their deeply personal stories, well-being managers were on hand at every stage of the process. By way of thanks, each participant was gifted a portrait created at the time of their interview. Thank you to the people of Manchester for sharing these beautiful and personal stories with us.

South African artist Kemang Wa Lehulere spent MIF19 in residence in Manchester’s network of libraries – and two years on, published I Love You Too, a beautiful book inspired by the time he spent in the city.

At the start of 2021, Wa Lehulere invited more than 100 people from across Manchester to share with us their love stories: to people, to places, even to possessions. Through a series of online and in-person meetings, a group of 11 Manchester writers put their words on to the page. The result is I Love You Too, a personal, powerful and inspiring 232-page hardback book of love letters rooted in our city – and the first in an international series.

This guide celebrates the diversity and innovation of queer individuals in London, both historically and today. Delving into the cultural history of queerness in the capital, this book guides the reader through a welcoming spectrum of bars, clubs, shops, Pride events, charities, saunas and sex shops that cater to the LGBTQ+ community.