Documentation from the LAUK Gathering, at Watershed, Bristol on 12 February 2015. The Gathering considered the idea of the Storm as a metaphor for change.
Documentation from the event about ethics, funding and art that took place at Toynbee Studios, London, on January 29, 2015. 5 minutes.
Documentation from the event about ethics, funding and art that took place at Toynbee Studios, London, on January 29, 2015. 40 minutes.
This document reflects on and responds to Getting It Out There, a one-day symposium at Lancaster University, 12 May 2012, exploring the future of touring for contemporary theatre and live art.
Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.
“The Training Needs of Senior Promoters and Producers of Live Art Working in England”
A collection of case studies, interviews and essays which explores the ways in which contemporary theatre is changing through new relationship between mainstream venues and experimental practices. 108 pages, 16 black and white photographs, 12cm x 16.5cm. This item is referenced in the Dreams for an Institution Guide (P2313).
A lively round-table discussion on the nature of participation in Live Art. Part of Sacred Season at the Chelsea Theatre, 28 April – 10 May 2008 (For full programme see REF. P1132).
Commissioned by Arts Council England and the Jerwood Charitable Foundation to celebrate and explore the role of the producer in the arts.