Catalogue > By Keyword > gender
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The Women - Feminism, Dance and Gaby Agis
On the launch of Gabi Agis’ company.
Sickled Feet, Scrunched Shoulders and Sexual Stereotypes
Conversation between two members of the Ludus Dance Company.
“I’m Still Coming” Coming to Power 2016 & 1993
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
How Does Freedom Taste?
A correspondence between The Victorian Woman and THE MAN. During the summer of 2016, The Victorian Woman traveled on an epic month-long journey to Southeast Asia in an attempt to liberate herself from THE MAN. Their daily correspondence in the form of relief printed and hand-drawn postcards reflects their emotional struggles and curious revelations as they attempt to reconcile the nature of their relationship.
Women, the arts and globalization
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Gloria: Another Look at Feminist Art of the 1970s catalogue
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
Eleanor Antin: Real Time Streaming catalogue
Illustrated catalogue accompanying the exhibition; Cornerhouse (3 March – 22 April 2001), Arnolfini (18 March – 13 May 2001), Mead Gallery (6 October – 1 December 2001).
The Avant-garde: Race, Religion, War
How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction?
Sarah Lucas: Au Naturel
Does art have a sex? A study of Lucas’s famous assemblage of objects that suggest male and female body parts.
The Cambridge Companion to Modern British Women Playwrights
Addresses the work of women playwrights in Britain throughout the twentieth century.
