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Sarah Lucas: Au Naturel

Artist/Author: Amna Malik | Reference: P3489 | ISBN: 978-1846380549 | Type: Publication

Does art have a sex? A study of Lucas’s famous assemblage of objects that suggest male and female body parts.

The Power of Feminist Art: The American Movement of the 1970S, History and Impact

Editor: Norma Broude, Mary D Garrard | Reference: P3510 | ISBN: 0-8109-3732-8 | Type: Publication

Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to create this landmark volume.

Part of the Library of Performing Rights (LPR) (P3041).

To All Appearances: Ideology and Performance

Artist/Author: Herbert Blau | Reference: P3507 | ISBN: 978-0415013659 | Type: Publication

The author’s concerns – which include the social meaning of illusion and the cultural manifestation of power – take the reader from Eleanora Duse to Laurie Anderson; from the puppet theatre of Kleist to Kantor’s theatre of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.

What’s the Matterhorn?

Artist/Author: Miss High Leg Kick | Reference: P3481 | Type: Publication

A 3 second film.

Lexicon of Tanjas Ostojić

Editor: Tanja Ostojić | Reference: P3444 | ISBN: 978-0-9935611-3-9 | Type: Publication

Based upon the Lexicon of Tanjas Ostojić (2011-17), an interdisciplinary participatory research art project that included academic and artistic research, five creative workshops, a number of public events, one group performance, and two exhibitions involving more then 30 women.

Emergency INDEX Vol 6

Editor: Yelena Gluzman, Sophia Cleary, Katie Gaydos | Reference: P3474 | ISBN: 978-1-937027-98-8 | Type: Publication

In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.

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