Catalogue > By Keyword > Franko B
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The Possibilities of Collecting Live Art
Held in Misc Article Folder 2
From the Collecting Live Art Symposium, Saturday 26 January 2008.
Documentation Bank: Franko B
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
I Miss You
Talking Heads: Franko B
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Unconditional Acceptance
Festival review. 2009.
Small Acts of Great Import
Performance documentation.
Art at the Edge
A report on two new initiatives aimed at supporting Live Artists in the UK and raising the profile of their work.
Succede a Londra
Artists an practitioners are interviewed by Franko B: Small Acts at the Millennium. Italian arts magazine, this article is printed in English.
Baying for Blood
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Kontejner: Curatorial Perspectives on the Body, Science and Technology
One thing that all Kontejner’s projects have in common, at least from an entirely subjective viewpoint, is precisely that very direct, unequivocal focus on that which is “human, all too human” or phenomena that coexist with the standards of humanity. In this sense, Kontejner’s work is a permanent cabaret with acts that deal with the transgression of social conventions, with passions and fears related to machines and cybernetic mechanisms, obsessions with sensual pleasures and obstacles that prevent us from indulging in them…- Maroje Mrduljas, architecture and design critic, Zagreb.
The Body as Archive: Will to Re-Enact and the Afterlives of Dances
Article printed from online. In black folder in Misc. box. Described by Julie Tolentino: This is the one of a few different articles that contemplates my important lifetime performance work around archive and my reverence and research around the unrelenting impact and importance of the artist-to-artist relationship.
Franko B
three copies. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
