Documenting The Gluts trip to Copenhagen during the COP 15 Climate Summit.
Part of the Library of Performing Rights (LPR) (P3041).
Investigates the crisis in contemporary theatre, and celebrates the subversive in performance.
Part of the Library of Performing Rights (LPR) (P3041).
Part courtroom drama and part social satire, the play presents an intelligent portrait of farming and scientific communities in conflict and at the same time penetrates the complex science of genetically modified crops.
Part of the Library of Performing Rights (LPR) (P3041).
Collection of essays on art and anarchism.
Part of the Library of Performing Rights (LPR) (P3041).
Key member of the Italian Autonomist movement and a close associate of Félix Guattari argues that the Marxist/Hegelian concept of alienation and the communal bonds arising from the collective experience of the workforce are under erosion in today’s technological society,
A polemical thinking-through of the whole concept of theatre as a ‘space’, and a politically motivated exploration of how, and where, that theatrical space meets the real world that surrounds and suffuses it.
What is seriousness exactly, and where does it reside? Is it a desirable value in contemporary culture? Or is it bound up with elite class and institutional cultures?
Drawing threads from the meta to the micro level inevitably leads to a conversation about power – who has it, who doesn’t, who should have it, how it is adjudicated. TransActions #2 picks up on this context and sets out to pose questions for the field of socially-engaged art and education practice in 2017.
Examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
Seeks to show how a clear understanding of class makes sense of what is at stake in a broad number of contemporary art’s most persistent debates, from definitions of political art, to the troubled status of “outsider” and street art, to the question of how we maintain faith in art itself in a dysfunctional world.
Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)