Interview with Jeremy Newton, director of the Lottery.
| Artist / Author | Nikki Crane |
|---|---|
| Publisher | Laban |
| Reference | A0812 |
| Date | 1994 |
| Journal | Dance Theatre Journal |
| Journal date | Autumn 1994 |
| Type | Article |
On making a case for arts subsidy in the face of austerity.
Documentation of the thank you event for LADA donors. Part of LADA at 20.
Documentation from the evening in which the first recipient of the Arthole Artists’ Award, Marcia Farquhar, handed over the baton to the second recipient, Stacy Makishi.
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Publication about the project which brought questions of archiving performance art to a broader public. In German and English.
The second issue of the ADHD artist zine.
The first issue of the ADHD artist zine.
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.
In English and Finnish.
A film documenting the unsanctioned live performance in Tate Britain: in the run up to the international climate talks in Paris as the artists invited Tate to reconsider their sponsorship deal with BP, and to begin to erase this scar from their skin.
Part of LADA Screens 9. The film was availble online between 30 April and 13 May 2016 on the LADA Screens Channel.