Lola Arias, co-curator of the international urban intervention project Ciudades Paralelas, talks with Bertie Friedman about reappraising notions of public space and spectatorship.
| Artist / Author | Lola Arias and Bertie Ferdman |
|---|---|
| Publisher | Duke University Press |
| Reference | A0589 |
| Date | 2014 |
| Journal | Theater |
| Journal date | 2014 |
| Journal page | 31-45 |
| Type | Article |
Mishandled Archive offers a way of imagining, creating and disseminating an archive.
A special edition of Substanz featuring work from Performance Reihe Neu-Oerlikon 2020.
In German, Spanish and English.
Kindly donated for the Swiss Live Art Study Room Guide.
Issue No 9 of Substanz featuring work from Performance Oper-Air St.Gallen 2018.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
A documentation of the events and survey of the work of more than 150 performance artists and contributors from France, Ghana, Germany, Great Britain, Mexico, Serbia, Spain, Switzerland, and the United States presented over the years in the festival performance series Neu-Oerlikon (Zurich).
In German and English
Kindly donated for the Swiss Live Art Study Room Guide.
Documentation from the performance art conference, 9-16 July 2017. In German and English,
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.
In glass cabinet.
Made and published on the occasion of Artsadmin's 40th birthday.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)