Lola Arias, co-curator of the international urban intervention project Ciudades Paralelas, talks with Bertie Friedman about reappraising notions of public space and spectatorship.
Artist / Author | Lola Arias and Bertie Ferdman |
---|---|
Publisher | Duke University Press |
Reference | A0589 |
Date | 2014 |
Journal | Theater |
Journal date | 2014 |
Journal page | 31-45 |
Type | Article |
Documentation from the performance art conference, 9-16 July 2017. In German and English,
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.
In glass cabinet.
Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.
Part of the Library of Performing Rights (P3041).
Made and published on the occasion of Artsadmin's 40th birthday.
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Exhibition Catalogue. Cambridge Darkroom, 1993.
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
Calls out to freedom in the capitalist commons, within the cultural production of the high street.
Part of Library of Performing Rights (P3041).
Includes instructions from more than 35 artists' walks along with a section that features the insights and philosophy of Elastic City Founder who spent 14 years presenting and refining walks. The section, titled 'Creating Your Own Walk,' covers conceptual, narrative and logistical concerns, how to encourage participation and how to best promote this work.