An album which forms part fot he ongoing inquiry by Johanna Linsley and Rebecca Louise Collins inspired by eavesdropping.
In glass cabinet.
The collection explores repetition in relation to intimacy, laughter, technology, familiarity, and fear proposing a new vocabulary for understanding what is at stake in works that repeat.
Three reviews on IBT 13.
Catalogue for The Future Can Wait exhibition.
Part of Live Art Development Agency Joining the Dots National Platform Documentation Initiative 2006-2007