The essays explore the broad range of poetico-philosophical questions that have long been circulating in the Cixousian universe: the self and the other, autobiographies of writing, love’s labors lost and found, sexual difference, feminism and feminine hours, the prehistory of the work of art and reading the visual arts, animal (w)rites and trans-species relations, literary theory, post-colonial theory, death and life.
Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification.
Two LADA programmes, as part of the 2015 Sacred season at Chelsea Theatre, London, in November 2015.
Addresses cultural production related to marginalized sectors of society. In Portuguese.
Discusses outcomes of the author's curatorial and research project Fear and Gender in Public Space.
Publication accompanying the exhibition 56 Artillery Lane, Raven Row, 21 April-11 June 2017.
An Investigation into the political efficacy of Pussy Riot’s art.
Documents the large scale, public art event March of Women spilling out onto the streets of Bridgeton on the eve of International Women’s Day 2015.
From the special issue: Cultural Memory and the Remediation of Narratives of Irishness. In misc folder 7.
Throughout the 1980s and early 90s, Gordon produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts place her writing within the context of the artist-critics of her generation.