All performance depends upon our abilities to create, perceive, remember, imagine and empathize. This book provides an introduction to the evolutionary and cognitive foundations of theatrical performing and spectating and argues that this scientific perspective challenges some of the major assumptions about what takes place in the theatre.
Presents a combined analysis and workbook to examine “socially engaged performance.” It offers a range of key practical approaches, exercises, and principles for using performance to engage in a variety of social and artistic projects.
This volume examines the ways gay men have used theatre and performance to intervene in the AIDS crisis. It discusses dramatic texts and public performances–from cabarets and candlelight vigils to full-scale Broadway productions that have shaped, and been shaped by, the history of AIDS in national, regional, and local contexts.
Kalb weaves his impressive historical knowledge of theatre into detailed descriptions of marathon productions he has seen and studied.