Expanding on the ideas of double wound (Caruth) and nostalgia (Aciman), this article discusses Davis' poetic autobiographic performances as examples of the terror and relief of repeating exilic pain.
Artist / Author | Natasha Davis and Yana Meerzon |
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Publisher | Routledge |
Reference | A0718 |
Date | 2015 |
Journal | Performance Research |
Journal date | October 2015 |
Type | Article |