Publication to coincide with exhibition at ZKM | Center for Art and Media Karlsruhe, Germany, 2012
Documents of Contemporary Art series.
Catalogue of an exhibition exploring the changing perceptions of African-American masculinity as interpreted in painting, sculpture, photography, and mixed-media work, as well as in film and video.
The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Anthology of voices of key contemporary artists concerned with feminism, from the 1960s to the 1990s/beginning of 2000s, with text by Reckitt and Phelan. Includes biographical information. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Pulls together a diverse selection of artists whose work embraces the possibilities of personality and appearance, racial and sexual stereotype, role-playing and reality.
See accompanying lecture notes (A0205)Compiled for the Long Table on Performance and Human Rights, April 2005 for PSi 12. Partnership between EEC, Queen Mary Univerity of London and the Live Art Development Agency