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| Artist / Author | Various |
|---|---|
| Editor | Laura Cull |
| Publisher | Edinburgh University Press |
| ISBN | 978-0-7486-3504-7 |
| Reference | P1277 |
| Date | 2009 |
| Type | Publication |
Published in conjunction with MoMA’s retrospective exhibition and in collaboration with the artist, this scholarly volume presents new critical essays that expand on Piper’s practice in ways that have been previously under- or unaddressed.
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
A short video derived from the photographs, rehearsal footage and other documentation of And I – a single channel eight-hour video of Marcia Farquhar speaking without edits of sustained pauses.
Part of LADA Screens 7.The film was availble online between 24 Feb and 9 March on the LADA Screens Channel.
An idyllic location, a perfect spot, but something just isn’t quite right, something doesn’t fit.
Part of LADA Screens 14. The film was available online 23 August – 6 Spetember 2016 on the LADA Screens Channel.
Formulates a history and theory of biosemiotic and proto-biosemiotic thinking in order to open up new possibilities of contemporary social, philosophical, aesthetic and technological engagement.
An important addition to the current body of scholarly material on contemporary performance and theatre; it provides both a detailed focus on a number of important performance works as well as developing a framework for the interpretation of contemporary performance.
Part of the Library of Performing Rights (P3041).
Constructs a genealogy of accelerationism, calling attention to early anticipations of accelerationism, and presenting new essays that document the emergence of new accelerationisms steeled against the onslaughts of capitalist realism, and retooled for the twenty-žrst century.
Ruminates on the significance of physical and mental roaming for black freedom.
Part of the Library of Performing Rights (P3041).
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
The “Artists' Book” of the post-war period: a unique collaborative work by four artists associated with various avant-garde art movements, including Fluxus and Nouveau Réalisme.
What is the relationship between capitalism and mental health? Berardi embarks on an exhilarating journey through philosophy, psychoanalysis and current events, searching for the social roots of the mental malaise of our age.
Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.