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Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Ruminates on the significance of physical and mental roaming for black freedom.
Part of the Library of Performing Rights (P3041).
The “Artists' Book” of the post-war period: a unique collaborative work by four artists associated with various avant-garde art movements, including Fluxus and Nouveau Réalisme.
Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.
A series of written artists’ instructions, each of which is interpreted anew every time it is enacted. Instructions here were part of the Manchester International Festival at the Manchester Art Gallery, 2013.
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers.
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
A study of installation art, from its marginalized beginnings in the late 1950s to its central position in today's art world.
This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it–to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries.
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.