See accompanying lecture notes (A0205)Compiled for the Long Table on Performance and Human Rights, April 2005 for PSi 12. Partnership between EEC, Queen Mary Univerity of London and the Live Art Development Agency
| Artist / Author | Adrien Sina |
|---|---|
| Reference | D0343 |
| Date | 2005 |
| Type | DVD |
An evening with artists readings of extracts from significant books held in LADA’s Study Room. Part of LADA at 20.
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
The fourteen essays bringing together a unique gathering of artists, many of whome make works which arise out of responses to the situation or the environment in which they find themselves.
A collection of archival materials in the Hemispheric Institute Digital Video Library that represents the historical, cultural, and political legacy of Franklin Furnace Archive, Inc.
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).
Documentation of performance installations where dachshunds (re)perform a United Nations Commission on Human Rights meeting.
Part of Library of Performing Rights (P3041).
Interview with theauthor of performance installations where dachshunds (re)perform a United Nations Commission on Human Rights meeting.
Part of Library of Performing Rights (P3041).
Documentation of performance installations where dachshunds (re)perform a United Nations Commission on Human Rights meeting.
Part of Library of Performing Rights (P3041).
Second edition of the artwork exploring the potential of Live Art to bridge generations.
A study of post-millennial solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism.
Part of Library of Performing Rights (P3041).
Project zines; Fierce, intimate oral histories, collaborative stories, D.I.Y. research and interviews from people at the intersection of several kinds of marginalisation.
Part of Library of Performing Rights (P3041).