This catalogue item has no notes associated with it.
|Artist / Author||John Wyver|
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
The emergence of contemporary art, engaging widely with other disciplines, as a platform for exploring animal nature.
A polemical thinking-through of the whole concept of theatre as a ‘space’, and a politically motivated exploration of how, and where, that theatrical space meets the real world that surrounds and suffuses it.
An absorbing portrait of an artist whose career spans three decades of American avant-garde performance. Collecting writings by Monk herself, along with significant reviews, essays, interviews, and photographs of Monk's unique performance events, the book establishes her as one of the great treasures of contemporary American culture.
John Akomfrah presents an intimate and engaging portrait of Stuart Hall, exploring themes of memory, race and identity through the juxtaposition of events from Hall's life, and a discourse on the wider social and political events of the second half of the twentieth century
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Interviews with artists by students from the MA Curating Contemporary Art at the Royal College of Art
Catalogue published in conjunction with, Hong Kong’s exhibition at the 54th Venice Biennale, on view from 4 June to 27 November 2011. Includes artistic concept, curatorial statements, an essay by Ming Fay, and a dialogue between the artist and curators.