Forward by Laurie Anderson, Essays and photographs in thematic sections. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
Exhibition catalogue. 19 September 1999 – 3 January 2000, Wexner Centre for the Arts, The Ohio State University.
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.
The volume is drawn from the ongoing video work art is/poetry is/music is (Speaking Portraits), which features over 1000 artists–painters, poets, musicians, dancers, actors, video-/filmmakers–in eleven countries saying what art is. art is offers an intimate view of seventy of those engaged in art as performance.
This small publication marks the 20th anniversary year of The Arts Catalyst. It celebrates some of the 120 artists’ projects commissioned over those two decades.
The author discusses with Laurie Anderson her musical collaboration with Kronos Quartet featured in the Adelaide Festival 2013.
A detailed study of the role women artists played in the develpment and expansion of performance art
Poses questions over the nature of action, identity and the self in the relationship with media forms.
Nothing In My Pockets is a sound diary, concieved for the Atelier de Creation Radiophonique de France Culture, kept between July and October 2003. An intimate journey into the artist's personal universe. 2 CD's are presented with previously unpublished visual and text documentation.
A collection of texts by several seminal women performance artists. Holly Hughes – 'World Without End'; Beatrice Roth – 'The Father'; Laurie Anderson – from 'United States'; Karen Finley – 'The Constant State of Desire'; Rachel Rosenthal – 'My Brazil'; Laurie Carlos, Jessica Hagedorn, Robbie McCauley – 'Teenytown'; Leeny Sack – 'The Survivor and the Translator'; Lenora Champagne – 'Getting Over Tom'; Fiona Templeton – 'Strange to Relate'.
Performances, Manhattan 1970-1980