Catalogue > By Keyword > socially engaged
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It’s All Allowed: The Performances of Adrian Howells
Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.
Utopia: Three Plays for a Postdramatic Theatre
A cofounder of the United Kingdom’s legendary 1980s performance theatre company Impact Theatre Co-op, MacDonald composed Utopia, a sequence of commissioned play texts, between 1987 and 2008. This edition brings together both the plays and the story of how the plays came to be made and written.
Is the Artist Present? - Live (and conscious) art at a Borderline
The essay interrogates Hadas Ophrat's piece Insomnia.
Performance Works 2008-2017
Includes: Foreign Sky, Beast of Me and Still Hear the Wound.
Catalogued with a spanned DVD.
Barbers of East London
A new publication celebrating the various communities of barbershops across East London. Comissioned by CUT Festival: The Art of Barbering.
Elephant Head on White Body: Reflexive Interculturalism in Ganesh Versus the Third Reich
Analysis of representation and interculturalism in Back to Back Theatre's production.
Confronting the Institution in Performance: Liberate Tate’s Hidden Figures
Weaves together the various voices for the art collective to offer readers both an analysis and an experience of the group’s performance: the inner voice of the performance; the critical voice of the witness; and the frustrating redactions reflecting Tate and BP’s hidden contracts.
The Art Of Disobedience
An article dissecting how arts interfere and engage with politics.
In misc folder 7.
Early video works
Includes: Foreign Sky, Beast of Me, Still Hear the Wound
Catalogued with a spanned DVD.
A Place Free of Judgement
During 2016 Blast Theory and Tony White worked with a group of young people in libraries in Telford and Wrekin to re-imagine libraries, story telling and their place in the world. On 29 October 2016, over the course of 9 hours from 3pm to midnight, the young people took control of their local libraries, and performed live to a worldwide audience. This book is a result of that process.
