Festival catalogue, 14-16 October 1999, Timisoara. In Romanian and English.
What do we understand by collaborative artistic practices in Spain? After three years of research, this publication bears witness to the diversity of points of view and opinions by Spanish artists and key agents working in this field.
The aim in bringing these voices together in a single publication is that they will add to the already existing discussion in English and will influence future theoretical discourses more broadly.
Elaborates a new perspective on performance that links ecology and aesthetics.
Documents the crisis in American urban housing policies and portrays how artists have fought against government neglect, shortsighted housing policies and unfettered real estate speculation.
Part of the Library of Performing Rights (LPR) (P3041).
The art of sloth and reverie as oppositional (in)activities.
Documentation from the DIY 12 project: can you start a University of Live Art in your front room, garden shed or local pub?
What happens when you give a live artist the keys to the library?
10 practitioners from different backgrounds reflect on the broad themes of participation, audience, criticality and writing in a series of short essays and provocations inspired by their own practice and numerous works in Compass Festival 2014.
Artist biography and promotional material for Pocket Theatre M (Džepno pozorište M), founded on the premises of a psychiatric clinic.
Part of the Library of Performing Rights (LPR) (P3041).
Documentation from two performances, presented at Brisbane Arts (2007) and MAJU JAYA Performance Art Festival (2007).
Part of the Library of Performing Rights (LPR) (P3041).