Part of the 'Documentation Bank' Collection, an extensive range of artists' 'Talking Heads', documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
The Vacuum Cleaner, A Load Of Rubbish, Cleaning Up After Capitalism, Recall: Faulty Starbucks Logo, The Church of the Immaculate Consumption, The Ark: A Global Warming Solution, One Hundred Thousand Pieces of Possibility
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
A short journal arguing for Live Art in the national curriculum circa 1990s
Fresh Tips 1 – 8
Borrowing Michel Foucault concept of ‘heterotopia’ to discuss the social and cultural functions of Highways Performance Space.
Explores the expanded concept of art as understood by Beuys. This ‘battery of ideas’ includes a series of short contributions from artists, specialists and commentators.
Leaflet accompanying Jyll Bradley’s project.
This item is part of the Study Room Guide On Social Engagement and Participation by French & Mottershead (P1290)
An 80-page report about detailing the activities and outcomes of the 2006 programme.
Documentation of homonymous performance installation.
Documentation of the work of Mohamed Abdulla. mov, pdf and ppt files.
Theron Shmidt in dialogue with Doran George and The Mourner’s Dance. Includes excerpts of correspondence between the writer and the artist.
Catalogue accompanying the homonymous exhibition.
Performing Rights Artistic Director Lois Weaver and Karen Finley, Guillermo Gómez-Peña, Chumpon Apisuk, Monica Ross, Oreet Ashery and other participating artists perform manifestos of what it means to be alive and present in contemporary political and creative environments.
Part of the Library of Performing Rights (LPR) (P3041).
Six of Tim Miller’s best known performances, documented, with scripts, “the sexual, spiritual, and political topography of his identity as a gay man…”
Drawn from papers and discussions first heard at one day conference held at the Birmingham Institute of Art and Design, University of Central England, 5 June 1999.
Part of the Library of Performing Rights (LPR) (P3041).
A large format and graphically bold publication that goes to the very heart of contemporary debate about the responsibility and function of the arts and of artists in society today.
Platform Study Room Guide (P1820). This item is referenced in the Dreams for an Institution Guide (P2313) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Found in miscellaneous article folder #5
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Shelved in the Miscellaneous Journals section.
Nowhere sets out the history of the Chocó Base and Nuevatopias programme and includes an interview with the Base designer Joep van Lieshout
Siembra (sow) is a celebration of food from Chocó’s Pacific coast and includes recipes by four communities near the Base. The project and book emerged as part of the communities’ desire to explore and present their traditional food.
Experiencing the 2012 Paralympics from a Disability Art Perspective
Performing the City proposes different ways in which the body moves and performs with the city, exploring the capacity of choreographic and performance practices for rehearsing and testing experimental methods for navigating the public realm.