An article dissecting how arts interfere and engage with politics.
In misc folder 7.
Artist / Author | Daniel Gorman |
---|---|
Publisher | IETM |
Reference | A0714 |
Date | 2015 |
Journal | Fresh Perspectives |
Type | Article |
Field Notes II documents the second Summer School on Cultural Diversity and Collaborative Practice, held in July 2019.
Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
Chump Change was produced by Aislinn Evans and features contributions by Stephen Pritchard, Raju Rage, Harry Josephine Giles, and Maz Murray (therightlube).
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
Mishandled Archive offers a way of imagining, creating and disseminating an archive.
Veganism, Sex and Politics explores the potential dangers and irresistible pleasures of living a vegan life.
A special edition of Substanz featuring work from Performance Reihe Neu-Oerlikon 2020.
In German, Spanish and English.
Kindly donated for the Swiss Live Art Study Room Guide.
Issue No 9 of Substanz featuring work from Performance Oper-Air St.Gallen 2018.
Text in German and English.
Kindly Donated for the Swiss Live Art Study Room Guide.
A documentation of the events and survey of the work of more than 150 performance artists and contributors from France, Ghana, Germany, Great Britain, Mexico, Serbia, Spain, Switzerland, and the United States presented over the years in the festival performance series Neu-Oerlikon (Zurich).
In German and English
Kindly donated for the Swiss Live Art Study Room Guide.
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.
On making a case for arts subsidy in the face of austerity.