A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.

Focuses on the intersection of social and public projects, and the possibilities of art practice in public space.

Part of Library of Performing Rights (P3041)

The universal basic income idea is, overall, profoundly performative, in that it attempts to model the ultimate pragmatism of wider social nets of generosity, and does so by representing the embodied conditions that might be brought into being by such generosity. In this way, the utopian heuristic of an unconditional, guaranteed income is said to be an ‘instrument of freedom’ and a ‘device for economic sanity’. The question is though, as is often the case: freedom and sanity for whom?

Part of the Library of Performing Rights (P3041).

Publication accompanying a survey exhibition of image-making, community activism and public works produced by the seminal AIDS activist art collective Gran Fury between 1987 and 1995.

In misc. folder 7. 

Part of the Library of Performing Rights (P3041).

Publication on the annual conference about socially engaged art organised by Heart of Glass in St Helens. Participants were invited to collectively source local ingredients and create, serve and eat a meal.

Programme for the event exploring questions of negotiation, exchange and representation in contemporary collaborative arts practice. (20-23 June 2018, Dublin.)

Exhibition programme. The LAB Gallery, Dublin, 18 June – 19 August 2018.

Reflects on CAPP (Collaborative Arts Partnership Programme), which took place 2015-2018.

Describes the framework in which Deveron Projects works and contributes to the social wellbeing of Huntly.

Interview with Meredith Monk.