In Miscellaneous Articles 4 folder. Review of the work by Monica Ross involving a series of public recitations of the Declaration of Human Rights from memory together with other co-recitors.
Recording of live performance narrating the rise of capital in the medium of asparagus. Ta rigid choreography inspired by Oskar Schlemmer’s Triadic Ballet and based on Karl Marx’s Capital dictated the movements of six performers in asparagus costumes. Bringing together the organic and the geometric, the ballet investigated the transition from the Fordist assembly line to immaterial labour through a reanimation of modernist abstraction. Produced in collaboration with Montreal based band Les Georges Leningrad and commissioned by The Showroom Gallery, London.
A catalogue documenting the development of a performance project featuring an invented folk dance, a choral performance and a procession with costumes, puppet icons and music. Includes a CD (see REF. D1967) and an essay by Sally O’Reilly.
Audio CD accompanying the homonymous catalogue (see REF. P2006 ) documenting the development of a performance project featuring an invented folk dance, a choral performance and a procession with costumes, puppet icons and music. I
Frakcija no 55 explores the work of the curator.
On the historical role of cultural institutions in Croatia.
Five DVDs from five different members of the public participating in Brian Lobel’s Carpe Minuta Prima performance.
Text concerning the place and function of arts in society.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
Practice Based Research into Cultural Democracy and the Commissioning of Art to Effect Social Change.
Final Report of the Panel on Fair Access to the Professions. This article can be found in the Miscellaneous Articles 3 Binder.
Presentation transcript. In Miscellaneous Articles 3.
This article can be found in the Miscellaneous Articles 3 BinderTraining for exploitation? Towards an alternative curriculum is for use by students, teachers and cultural workers to address free and precarious labour in the arts,.
Visual and textual context for the exhibition and Take Me In performance which took place at the Freemantle Arts Centre.
Performance Space, London 9/2/12, The Void, Derry, 25/2/12, The LAB, Dublin, 10/2/12.
This is a Chinese language edition of Out of Now, originally published in English in 2009 (Study Room number P1193)
There are lots of guides for artists on how to earn a living from art or how to raise funds to support making it, but few which help us ask what the ethical implications are of the routes we choose. In this Study Room Guide, arts, social justice and environmental group Platform has selected some key texts that they think are useful in helping to position yourself ethically with regard to financing or supporting artistic practice through business or corporate sponsorship.
Based on a performance art opera by artist Mikhail Karikis, this film is a poignant political allegory while being an audiovisual feast constructed around Karikis’s menacing sound, under David Bickerstaff’s direction and arresting cinematography.
Part of the Library of Performing Rights (LPR) (P3041).
A Study Room Guide featuring selected performances from eleven artists who interrogate and interrupt the silences that exist in Ireland.
Texts and photographs documenting Sierra’s work.
Exhibition and events shown at the 6th Liverpool Biennial. 18 September – 28 November 2010.
Looks at the ways in which artists use ideas of service and labour as creative strategies. Find in misc. articles folder 2
Folder of articles and reviews in relation to Out of Now – The Lifeworks of Tehching Hsieh by Adrian Heathfield and Tehching Hsieh.
Brochure to accompany the exhibition.
1 of 5 DVDs from the series brutproduktion, season 2009. See REF. P1217; D1134-8. Trailer, full version.
Out of Now critical account of Tehching Hsieh’s complete body artworks from 1978-1999, conceived by the artist in collaboration with writer and curator Adrian Heathfield.Heathfield’s meditation is complemented by an intensive exchange with the artist and a set of letters from leading art theorists Peggy Phelan and Carol Becker, and artists Marina Abramovic, Santiago Sierra, and Tim Etchells, 245 x 320 mm 384 pages 173 colour illustrations and 140 black and white illustrations. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Excerpts from a series of shows and events, made over six years, variously attempting to merge bodies with other bodies of water. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live at all.
Part of the Library of Performing Rights (LPR) (P3041).
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
A book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization.
This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Video and digital documentation of performance presented at the ICA, London, 1993.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.