Street Hunt

A collection of poems and drawings self-published by political theatre maker Maya at an important period during their life and inspired much of their later work.

A poem by artist Tara Fatehi.

Making performance works for four decades, British experimental theatre collective Forced Entertainment has become globally renowned for its singular aesthetic and audacious events, melding narrative fragments with strange acts, broken poetry, audience provocations, and comcial failure. With its low-fi theatre, intimate text-based works, and epic durational spectacles, the group has profoundly influenced the international performance scene, evoking and testing the politics of contemporary life.

The global crisis of our time involves a complex of ecological, economic, technological and migratory challenges that no state is able to control. The result is a provincialisation of our democracies with respect to the new planetary powers confronting humanity. It is from this that our increasingly impotent and rabid politics stems.  Paradoxical as it may seem, it is precisely the decline of the nation-state that is the source of the great nationalist uprising of our time.

We need a new planetary vision that is able to reclaim and liberate our world, starting today and engaging each of us. This is the task of philosophy as much as it is of politics, of theory as it is of activism. Connecting with a new generation taking to the streets across the globe, this book tells the story of the ever-closer union of our world, from the age of empire to the climate crisis, and presents a plea and a roadmap to step beyond the mental and material boundaries of our nations.

“When Brazilian Minister of Culture Gilberto Gil invited Célio Turino to develop a programme to democratise access to culture, no one could have imagined the extraordinary initiatives that today cross Brazil from one extreme to the other: from semi-arid sertão to the sea, from Amazônia to the fertile lowlands of the South. The Ponto de Cultura programme has provided instruments for the multiple voices of a diverse nation to find expression in music, literature, petry… Turino’s book is a map of living Brazilian Popular Culture, disseminated to every corner of a nation that is finally seeking to be a country for everyone.” -Emir Sader

Would you like to start changing the world from your living room? What if your neighborhood made its own money? What would happen if all animals, including humans, had equal rights in the park next door? Have you considered that you are flying through space right now? Sibylle Peters, director of Theatre of Research, a Hamburg-based theater dedicated to creating social experiments together with audiences of all ages, invites readers to reimagine the world–and act on it. Based on 20 years of performance-based research, and guided by children’s wishes and concerns, this book of at-home experiments shows you how to change reality through play.

The first of its kind, Troubling the Line: Trans and Genderqueer Poetry and Poetics, gathers together a diverse range of 55 poets with varying aesthetics and backgrounds. In addition to generous samples of poetry by each trans writer, the book also includes “poetics statements”-reflections by each poet that provide context for their work covering a range of issues from identification and embodiment to language and activism.

Documents the work of fourteen performance artists who marked the personal and political resonances of the new Millennium in a series of site-specific actions. Contrasting with the epic, populist and homogenising nature of the official celebrations, these works focused on forgotten and ephemeral experiences, enacting small but significant interventions in the public sphere.

Playing Public: Performing Participation with Pens, Planes, and People is an A5 format artist/research publication and project archive focusing on participatory game Flight Club and the years that preceded its creation. Charting my participatory art journey from prior experiments and involvement with community groups and public-facing, performative events leading up to the production of Flight Club and its iterations, written and photographic documentation combine to show how this game emerged and developed through participation, community and open-source collaboration.

“A love letter to artistic research, Seita’s writing celebrates the desire, disorientation, and discovery to be found in feminist practices of reading. A potent reminder of generative passin thatwe can only wish motivated all critical inquiry.” -Gordon Hall

The reinforcements mounted by our profane masters have transformed the theatre into a boulevard or, closer to home, into a good-old thoroughfare. In other words, the theatre is a space that hasn’t changed at all. We have to reinforce its mountainous profanities yet again, a little less old-fashioned perhaps, but similarly escorted by those necessary moralists-in-mind and a concomitant mania for marvels. So, here we are.

My dramas- in which I seem to lean on the ludicrous which must be kept so, in order to be accountable, the inspiration of such a work being precisely its utter and insulting reality-must not be born of ‘today’ but of the spells and numerologies of the old masters, the drowsy and doddery in their chic flannel slippers and their well-practised blandishment.