Split Britches: Lesbian Practice/Feminist Performance, Sue-Ellen Case, Lois Weaver, Peggy Shaw, Deborah Margolin, an anthology of Split Britches play texts, including programme notes, performance photographs, and a critical, historical introduction
This publication sets out to make Mendieta's figure more public in order to secure her rightful place in the chronicle of contemporary art.
(On loan from Franko B) This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
British Theatre by Women from 1968 to 1970, during the 1980s and 1990s. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Article published on The Drama Review. Review of California-based company Sacred Naked Nature Girls. Sacred Naked Nature Girls is a multicultural and diverse ensamble of four women who share a common feminist intent.
Originally filmed as part of the Expanding Pictures series XXXmissing. Part of Access All Areas Screening Programme. Also available with subtitles as EV0523SUB.
Includes contributions by editors as well as Dinah Birch, Alicia Ostriker, Wendy Webster, Michelle Cliff, Alice Walker. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Feminist theatre companies taken in consideration: Women’s Theatre Group, Monstrous Regiment, Gay Sweatshop, Siren, Theatre of Black Women, Talawa, Sistren, Black Mime Theatre Women’s Troop, Tattycoram, Clean Break Theatre Company. This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Includes a reading list on women and performance art.
Survey of images of sex and sexuality in contemporary art.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Recent years have seen a revival of the heated culture wars of the 1990s, but this time its battle ground is the internet. This publication explores some of the cultural genealogies and past parallels of these styles and subcultures, drawing from transgressive styles of 60s libertinism and conservative movements, to make the case for a rejection of the perpetual cultural turn.
Archive materials including a script by Deborah Levy entitled The Inner Voice: I Am Big. There is a corresponding DVD.
In March 2016 the Hear Me Roar! Festival invited LADA to curate a small selection of items for a Pop-up Study Room during the Festival. Hear Me Roar! is a festival of feminist arts in Lancaster. In 2016 the theme was Ages, Stages and Phases celebrating feminist art across the generations.
Catalogue for ‘Linder Femme/Objet’ exhibition at Musee d’Art moderne, Paris, 2013
Publication to coincide with exhibition, Zagreb, 2013
Introduces the reader to Bobby Baker's latest piece, which was commissioned by the London International Festival of Theatre in 1993.
From the British Live Art: Essays and Documentation issue.
LADA Anthologies are themed collections of performance documentation and works for camera that the Agency has been invited to curate for public programmes in the UK and internationally.
Drawing on materials housed in LADA’s Study Room and documentation publicly available online, the materials were originally presented as illustrated talks, then catalogued as LADA Anthologies.
Perfomed at Brooklyn International Performance Art Festival, Grace Exhibition Space New York