On performing feminist values for children.
The second issue of The Magazine of the Artist’s Institute, dedicated to Carolee Schneemann
A selection of texts on the festival, its topics and atmosphere.
Witchy femmes, queer conjurers, and magical rebels on summoning the power to resist.
A research into the genealogy of political practice among different feminist movements from the 1970s to the present in Europe and Australia, resulting in a six-element film installation and accompanying exhibition catalog/reader.
The story of a housewife who delves into the underworld of domesticity.
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
Brings Lorde’s essential poetry, speeches and essays, including ‘The Master’s Tools Will Never Dismantle the Master’s House’, together in one volume for the first time.
Part of the Library of Performing Rights (LPR) (P3041).
Arguing that traditional feminism is wrong to look to a natural, ‘essential’ notion of the female, or indeed of sex or gender, Butler starts by questioning the category ‘woman’ and continues in this vein with examinations of ‘the masculine’ and ‘the feminine’.
Based on her widely praised performance piece Unicorn Gratitude Mystery, Finley’s book explores the Shakespearean dynamics that surface when libidos and loyalties clash in the public and private personas of Donald Trump, Hillary and Bill Clinton, Huma Abedin and Anthony Weiner, and now Harvey Weinstein.
Part of the Library of Performing Rights (LPR) (P3041).