Acknowledging that the future of humankind is global, this volume explores the multi-faceted semantics of ecology in contemporary Indigenous theater and performance.
Part of the Library of Performing Rights (P3041).
|Editor||Birgit Däwes, Marc Maufort|
|Publisher||Presses Interuniversitaires Europeennes|
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
Documenting the eponymous six year project as well as the current research and thinking around the subject with contributions by prominent artists, academics, activists and chefs.
Part of the Library of Performing Rights ( P3041).
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Materials from the activation day against the Hostile Environment policy. Organised by Migrants in Culture and Keep it Complex.
In the oversize cabinet.
A trilogy of hybrid art films of collaborative performances in epic locations around the world. Included the three films (Performances at the End of the World, Performances at the Holy Centre, Performances at the Core of the Looking-Glass) and a text about the project.
A performance-based short film, in which the artist inquire through bodily actions the creation and function of visible and invisible signs in response to the geologic.
Includes the film, trailer, stills, and film description.
A report celebrating the successes of arts and cultural organisations in acting on national and international climate targets.
One of the contemporary art world’s most acclaimed mixed-media & performance artists, is the subject of this smart, sassy documentary that showcases her spectacle-rich approach to explorations of gender, racial identity, and sexuality. Bonus features include two deleted scenes.
The second volume of the landmark trilogy consent not to be a single being.