A Performance Poem from the Series “Documented/Undocumented”.
| Artist / Author | Guillermo Gómez-Peña |
|---|---|
| Publisher | The MIT Press |
| Reference | A0771 |
| Date | 1991 |
| Journal date | Autumn 1991 |
| Journal page | 48-66 |
| Type | Article |
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
Documentation of the event marking the end of Restock, Reflect, Rethink Four, a project about Live Art and Cultural Privilege.
Audio of the artist in discussion with Jospeh Morgan Scholfield. Event held on 13 February 2020.
A discussion in 17 thematic segments. 53 minutes.
Publication about the project which brought questions of archiving performance art to a broader public. In German and English.
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
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Includes the film, trailer, stills, and film description.
One of the contemporary art world’s most acclaimed mixed-media & performance artists, is the subject of this smart, sassy documentary that showcases her spectacle-rich approach to explorations of gender, racial identity, and sexuality. Bonus features include two deleted scenes.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
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Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
The curator who founded MoMA’s video program recounts the artists and events that defined the medium.
Everyone is female, and everyone hates it.’A genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.